Con Air is an impersonation of a Michael Bay film. It has a similar combination of forceful activity figures of speech, silly plotting, heartfelt nostalgia, and excessively set pieces as his movies. In any case, it’s anything but a film by Michael Bay; it does not have the amazingly balletic tumult that characterizes Bay’s proper methodology. What’s left is a film that inclines toward each ludicrousness of 1990s filmmaking, characterizing its amusement ethos, without catching its craft. Be that as it may, it’s unadulterated filmmaking abundance any semblance of which we don’t see any longer, and consequently, an inept and engaging film by righteousness of its improper way to deal with large financial plan filmmaking.